-Mark Bloch Robert Delford Brown is Jo Jo The Human Plate (1979)
"MR. MIKE’S MONDO VIDEO",
feature film vignette performance, Jo Jo The Human Hot Plate, directed by
Michael O'Donoghue
Robert Delford Brown’s hilarious performance
as “Jo Jo the Human Hot Plate” was a brief, bizarre interlude in his late
friend Michael O’Donoghue’s brief, bizzarre and legendary cult film “Mr.
Mike’s Mondo Video” in 1979. Correctly billed at the time as “the TV show
that can’t be shown on TV”, “Mondo Video” was the very first (and without
a doubt the most original) film ever to come out of the Saturday Night Live
camp. A young Lorne Michaels was executive producer while the brilliant Mike
O’Donoghue produced and directed this project that only he could envision.
It was kindred spirit O’Donoghue that asked Brown to appear.
Brown’s performance as “Jojo” was absurdly
masterful in its simplicity. He stands subtly writheing, bare-chested in
a pair of briefs, with a pile of canned spaghetti overflowing from his carefully
cupped hands.
The film showcased other curious performers
in other equally demented mutations masquerading as short art films, including
Thomas Alva Edison’s “Elephant Electrocution, ” “ Christmas on Other Planets,”
“The Church of the Jack Lord,” “Laser Bra 2000,” and “Nazi Oven Mitts.”
Originally intended to be a one-shot
summer replacement for Saturday Night Live, “Mr. Mike’s Mondo Video’s” disorienting
75 minutes were never aired due to its offbeat, dark humor. O’Donoghue’s
own parody of the previous cult classic “Mondo Cane” hit problems with NBC
censors and, instead, received very limited theatrical distribution by New
Line Cinema.
An impressive musical menu includes
Paul Shaffer who wrote original music and appears as the Jack Lord organist,
RootBoy Slim and the Sex Change Band and the American debut of Sid Vicious’
now infamous performance of “My Way,” well before it appeared in “The Great
Rock and Roll Swindle.” Sadly, the video re-packaging of “Mr. Mike” is now
missing Vicious’ audio. Scrolling titles explain that Paul Anka, who wrote
“My Way” refused to give rights to the performance. The standout, in addition
to Brown’s appearance as the frenetic Jojo, is an amazingly schmaltzy theme
song in a deadpan rendering by Sinatra wannabe Julius LaRosa.
Watching Brown as “Jojo” cradling his
warm spaghetti and presumably heating it up in the time it takes to say
“Stay Tuned for Performance Art” is worth the price of admission if you
don’t blink. And assuming you can find this rare, important and fascinating
cult classic at your local video store.