1930 Born in Colorado

1952 Received B.A. from U.C.L.A., Los Angeles, CA.

1953-54 Studied drawing with Howard Warshaw, Los Angeles, CA.

1958 Received M.A. from U.C.L.A., Los Angeles,CA.

1959 Moved to New York City

1963 Married Harriett (Rhett) Elsa Gurney. Two step daughters, Peggy and Carol.

1964 Founded The First National Church of the Exquisite Panic, Inc.

1964 President, Robert Delford Brown Enterprises Ltd.

1967 Began work on The Great Building Crack.Up, a trompe l¹oeil architectural improvisation, which was also the International Headquarters of the First National Church of the Exquisite Panic, Inc.

1997 Moved to Houston, Texas and began work on The Great CyberBuilding Crack-Up on Appaloosa Acres, a Virtual Reality architectural improvisation.

Moved back to New York City on April 22, 1999

Began work on the Virtual-Mega-Cyber-Building-Crack-Up on Appaloosa Acres

2002 "FUNKUPAGAN IKONS" ARCHIVIO CONZ, VERONA ITALY

1992 ROBERT DELFORD BROWN, "IKONS OF THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC.", FONDAZIONE MUDIMA, MILAN ITALY

1990 "TRAVELOGUES", NAHAN CONTEMPORARY, N.Y.C.

1986 "MAPS TO NEVADA", LEONARD PERLSON GALLERY, N.Y.C.

1986 "THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC.1964-1986", P.S.1, LONG ISLAND CITY, N.Y.C.

1981 "20 YEAR SURVEY", PHYLLIS KIND GALLERY, N.Y.C.

1981 "WORKS ON PAPER", OSUNA GALLERY, WASHINGTON D.C.

1976 "IKONOBILES", Polychrome Sculpture, THE GREAT BUILDING CRACK-UP, N.Y.C.

1974 "A BEAR HAS FUR BUT THE WRONG KIND OF FACE: A MANIFESTATION", THE GREAT BUILDING CRACK-UP GALLERY N.Y.C.

1973 "CERAMICS, 1962, AND WALL HANGINGS, 1968", THE GREAT BUILDING CRACK-UP GALLERY, N.Y.C.

1972 "TINTED PHOTOGRAPHS 1964-1972", THE GREAT BUILDING CRACK-UP GALLERY, N.Y.C.

1971 OCTOBER, "DRAWINGS 1959-1971", THE GREAT BUILDING CRACK-UP GALLERY (inaugural exhibition), N.Y.C.

1971 DECEMBER, "BOB BROWN AND HIS FRIENDS, A PHOTOGRAPHIC JOURNAL 1965-1969", THE GREAT BUILDING CRACK-UP GALLERY N.Y.C.

1970 "RUGS AND WALL HANGINGS", MIDDLESEX COLLEGE, EDISON, N.J.

1967 Began THE GREAT BUILDING CRACK-UP, an architectural improvisation and international headquarters of THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC.

1964 "MEAT SHOW", an environment in a refrigerator in the Washington Meat Market NYC

2004 "COLLABORATIVE ACTION GLUING" sponsored by Michel Champendal, Robert Delford Brown, Mark Bloch presented at the Claudette Cliquet Gallery of International Surrealism, Paris France

1998 "MARTIAN OUTPOST", Conceived by Robert Delford Brown, Created by Carol Gebhardt¹s 4th Grade Class, J.P. Henderson Elementary School at the Lawndale Art Center, Houston, Texas

1996 "SACRIFICIAL ART" in the Chapel of Pharblongence at the Great Building Crack-Up NYC, NY

1995 "EXHIBITION OF ALTERNATIVE RELIGIONS", in the Chapel of Pharblongence at the Great Building Crack-Up NYC, NY

1995 "COLLABORATIVE IKONS OF THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC." in the Chapel of Pharblongence at the Great Building Crack.Up NYC, NY

1993 "FIRST SIGHTINGS: RECENT MODERN AND CONTEMPORARY ACQUISITIONS", Denver Art Museum, Denver Co.

1992 "FLUX FLAG", Artpool Art Research Center, Budapest, Hungary

1990 "NO TRENDS", NAHAN CONTEMPORARY, N.Y.C.

1986 "MEMENTO MORI", Centro Cultural Arte Contemporaneo, Mexico, City; Mexico

1985 "MEMENTO MORI", Moore College of Art, Philadelphia, PA.

1983 DILALECT / DIALECTIC", Phyllis Kind Gallery, N.Y.C.

1983 HUMOR AND PLAY IN ART", Thorpe Intermedia Gallery, Sparkill, N.Y.

1982 "ART ON PAPER", Weatherspoon Art Gallery, University of North Carolina at Greensboro

1981 "PHOTOFUSION", Pratt Institute, N.Y.C., N.Y. Pratt Institute, Brooklyn, N.Y.

1981 "CONTEMPORARY ARTISTS BOOKS" Philadelphia Art Alliance Pittsburgh Center for the Arts and the Southern Alleghenies Museum of Art

1978 "ARTWORDS AND BOOKWORKS", Los Angeles Institute of Contemporary Art, Los Angeles, CA

1978 "GRAY MATTER", San Diego State University, San Diego, CA.

1978 "SHRINE FOR ROBERT DELFORD BROWN, LEADER OF THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC.", an environment. MUSEUM OF TEMPORARY ART, Washington, D.C.

1978 "PRIVATE PARTS", Rhode Island School of Design, Providence, R I.

1977 "THE GROTESQUE IN PHOTOGRAPHY", College of Fine Arts, University of Bridgeport, CT.

1976 "PHOTOGRAPHIC IMAGES FROM THE COLLECTION OF A D. COLEMAN" Carlson Gallery, University of Bridgeport,

1976 "INTERNATIONAL PRINT BIENNALE", Cracow, Poland

1973 "ARTISTS¹ BOOKS", Moore College of Art, Philadelphia, PA. toured the U.S.A.

1973 "POLAROID PHOTOGRAPHS", Neikrug Gallery, N.Y.C., toured the U.S.A. and Canada

1971 "BOOK", Kansas City Art Institute, Kansas City, MO.

1965 "PAINTING EXHIBITION", Gallery of Modern Art, Washington D.C.

1997 THE SANCTIFICATION OF SAINT ALLAN KAPROW, WHIPPER SNAPPER OF ALL WHIPPER SNAPPERS, The event took place in The Great CyberBuilding Crack-Up in Houston,Texas It was video taped.

1996 The FUNKUPAGAN WEBSITE was inaugurated with the help of Saint Allan, The Distender, Coleman

1996 "SUMMER CUM LAUDE", a collaborative event presented at The Grunt Gallery in Vancouver, British Columbia

1996 "BAPTISM BY SILLY STRING", A collaborative event presented at the Mighty Niagara Bar in Vancouver, British Columbia

1996 "VICTORY OVER DUMBNESS", in the Temple of Hilarity at the Great Building Crack-Up NYC, NY

1995 "SUMMONING WHO? WITH THE WHOOZAPHONE CHORUS", at CBGB¹S, at 315 Bowery NYC, NY

1995 "EGGS POST FACTO", in the Temple of Hilarity at the Great Building Crack-Up NYC, NY

1995 "BAPTISM BY SILLY STRING", at CBGB¹S, at 315 Bowery NYC,

1995 "TREE OF PHARBLONGENCE", in the Temple of Hilarity at the Great Building Crack-Up NYC, NY

1994 "PUMPKIN CIRCUMSTANCE", an orthodox pagan ritual presented in association with the ZOCALO THEATER at 5223 Feagan Street, Houston TX

1994 "FRIED BLOOD", an orthodox pagan ritual presented at the BAC Lavender Hill, Battersea SW 11, London England

1994 "FRIED BLOOD", an orthodox pagan ritual presented in association with the ZOCALO THEATER at 5223 Feagan Street, Houston, TX

1994 "FRIED BLOOD", an othodox pagan ritual presented in association with the Artist¹s Television Access at 992 Valencia Street, S.F.,

1992 "AN EXPLANATION OF EVERYTHING ACCORDING TO THE DOCTRINE OF ORTHODOX PAGANISM", A COLLABORATIVE EVENT WITH THE AART GUYS presented at the MUSEUM OF FINE ART GUISE 631 W. 22 Street, Houston, TEXAS

1990 "AN ORTHODOX PAGAN SERMON",presented at the SPACE AT CHASE in the the CHASE BAR & GRILL 98 THIRD AVE. N.Y.C .

1989 "AN ORTHODOX PAGAN SERMON", presented at the LISMAR LOUNGE 41 1ST AVE., N.Y.C.

1989 "ORTHODOX PAGAN SERMON", presented at the NEW THEATRE, 62 East 4th Street, N.Y.C.

1989 "PASTA PESTO FEST", a collaborative event and a GRAND OPENING SERVICE of THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC. at the Great Building Crack-Up, N.Y.C.

1989 "ORTHODOX PAGAN SERMON", presented at ABC NO RIO, 156 Rivington Street, N.Y.C.

1989 "ORTHODOX PAGAN SERMON", presented at the PYRAMID CLUB 101 AVENUE A, N.Y.C. .

1989 "EGGS POST FACTO",a collaborative event and GRAND OPENING SERVICE OF THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC. at the Great Building Crack-Up, N.Y. C.

1989 "TREE OF PHARBLONGENCE", a collaborative event, and GRAND OPENING SERVICE of THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC. N.Y.C.

1988 EGGS POST FACTO", a collaborative event, and GRAND OPENING SERVICE of THE FIRST NATIONAL CHURCH OF THE PANIC, INC. N.Y.C.

1987 "TREE OF PHARBLONGENCE", a collaborative event, and GRAND OPENING SERVICE of 1HE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC. N.Y.C.

1986 "PUMPKIN CIRCUMSTANCE", a video event and GRAND OPENING SERVICE of THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC.at the Great Building Crack.Up, N.Y.C.

1984 "PUMPKIN CIRCUMSTANCE", a collaborative event, and GRAND OPENING SERVICE of THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC,INC., at the Great Building Crack-Up,N.Y.C.

l981 "METAPHYSICAL RADIO CAKE, FEAST FOR THE EYES" Pratt Institute,N.Y.C. Performance appeared on T.V. Stations NBC, CBS,and ABC

1979 "MONDO VIDEO", feature film vignette performance, Jo Jo The Human Hot Plate, directed by Michael O¹Donoghue

1978 ŒBORN AGAIN BENEFIT", a collaborative environmental collage, Museum of Temporary Art, Washington D.C.

1978 "VICTORY OVER DUMBNESS DAY", highest holy day of THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC., N.Y.C.

1976 "VICTORY OVER DUMBNESS DAY", Official public opening of THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC., N.Y.C.

1968 "DEMOLITION PARTY", with classical Chinese Orchestra: Announcing the beginning of construction of the Great Building Crack.Up, N.Y.C.

1966 "FREE STRIPTEASE WITH DRUM AND BUGLE CORPS ACCOMPANIMENT A two week event in London, England

1966 "VOUS ETES INVITE POUR UN COCKTAIL", an event in the bridal suite at the Negresco Hotel, Nice, France

1966 "ORGASM EVENT", a performance at the Hotel Belle Rive, Juan les Pins

1965 "OUT OF ORDER, PLEASE USE THE TOILET DOWN THE HALL ACROSS THE LOBBY",an event at the Bel Air Sands Hotel, LA, CA.

1965 "COW LANE WEEKEND", a two day event in Great Neck, L.I.,N.Y.

1965 "NATURAL HISTORY", Art and Technology Festival, performance in a happening by Jim Dine, N.Y.C.

1964 "ORIGINALE", created part of the "PAINTER" in Stockhausen¹s Musical Play directed by Allan Kaprow, at Judson Hall in N.Y.C. for the Second Annual Avant Garde Festival

1992 "THE BEAVER MILL EDITION OF LACUNAE RECOVERED FROM THE SCROLLS OF PHARBLONGENCE" .

1991 "THE BEAVER MILL EDITION OF LACUNAE RECOVERED FROM THE SCROLLS OF PHARBLONGENCE" .

1990 "TEACHINGS OF THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC."

1978 "LACUNAE RECOVERED FROM THE SCROLLS OF PHARBLONGENCE", VOL. 1, 1977,VOL. 2, 1978

1976 "IKONOBILES AND GRAND OPENING SERVICES"

1975 "ULYSSES BY ROBERT DELFORD BROWN", AN ALTERED PLAGIARISM

1973 "FIRST CLASS PORTRAITS", with an introduction by A D. Coleman

1972 "MR. JESUS CHRIST CONTEST"

1967 "HANGING", A PLAGIARISM

"A STRANGE HOUSE AND ITS STRANGE STORY", NANCY HASS, HOUSE AND HOME SECTION, THE NEW YORK TIMES, MARCH 2, 2000

"OUT OF ACTIONS: BETWEEN PERFORMANCE AND THE OBJECTS 1949-1979", A CATALOG FOR A TRAVELLING EXHIBITION IN LOS ANGELES, VIENNA, BARCELONA, AND TOKYO, 1998

"PROMUOVERE L¹ALLUVIONE", FLUXUS NELLA SUA EPOCA 1958-1978, 1997

"CARTOGRAPHERS - GEONOSTIC PROJECTIONS FORTHE 21st. CENTURY", A CATALOG FOR A TRAVELLING EXHIBITION IN ZAGREB, WARSZAW, BUDAPEST, AND MARIBOR, 1997

"DOPE ON A POPE", THE MAIL, NEW YORK PRESS, NYC, NY, MARCH 8- 14, 1995

"THE GREAT CRACK-UP", JOHN STRAUSBAUGH, NEW YORK PRESS, NYC, NY MARCH 1-7, 1995

"ENCOURAGING SIGNS IN ART", BERKSHIRE EAGLE, JAN. 11, 1995

"MOTOR YOUR AESTHETIC TO THE DRIVE-IN", THE HOUSTON POST, NOV. 11, 1994

"AND WHAT¹S MORE", THE INDEPENDENT, LONDON ENGLAND, OCTOBER 12, 1994

"REVOLVER", EVENING STANDARD, LONDON, ENGLAND, SEPT. 22, 1994

"BROWN: "THERE IS NO NOT ART", ROSEMARY JETTE, THE TRANSCRIPT, NORTH ADAMS, MASS., JULY 28, 1994

"BLOOD FONDUE", MARK FROHMAN, PUBLIC NEWS, HOUSTON TEXAS, JUNE 1, 1994

"N.Y. ARTIST PLANS Œ60¹S HAPPENING WITH ART GUYS", SUSAN CHADWICK, HOUSTON POST, HOUSTON TEXAS, DEC. 19, 1992

"ROBERT DELFORD BROWN, IKONS OF THE FIRST NATIONAL CHURCH OF THE EXQUISITE PANIC, INC.", PUBLISHED BY EDITIONS FRANCESCO CONZ 1992

"WHAT A NIGHT! WHAT A NIGHT:", HELENA MULKERNS, DOWNTOWN, ISSUE NO. 211 THRU SEPT.26, 1990

"THE ARTLETTER", VOLUME 01 NUMBER 80, SEPTEMBER 1990 "FINE ART NETLETTER #78", SEPTEMBER, 1990 BIBLIOGRAPHY CONT¹D.

"ANSWERMAN", 7 DAYS MAGAZINE, MARCH 3, 1990 "POETIC PANDEMONIUM", NEW YORK NATIVE NEWSPAPER, AUGUST 21, 1989

"PERFORMANCE ART FROM FUTURISM TO THE PRESENT", ROSELEE GOLDBERG, HARRY N. ABRAMS, INC., PUBLISHERS, N.Y., 1988 "PRANKS", ANDREA JUNO, V. VALE, RE/SEARCH #11 1987

"INCREDIBLY STRANGE RESEARCH", RANDALL KORAL, IMAGE MAGAZINE, SAN FRANCISCO EXAMINER, NOVEMBER 22, 1987

"MEDITATIONS ON THE RED MASS", ANN McCOY, BOMB, Winter 1986

"MEMENTO MORI", RICHARD FLOOD, MOORE COLLEGE OF ART CATALOGUE PHILADELPHIA, PA. 1985

"KEROUAC AND FRIENDS", FRED W. McDARRAH, WILLIAM MORROW AND CO., NYC. 1985

"MEMENTO MORI", RICHARD FLOOD, CENTRO CULTURAL ARTE CONTEMPORANEO, MEXICO CITY, MEXICO 1986

"PHOTOGRAPHY IN PRINTMAKING", DONNA STEIN, PRINT REVIEW #16, 1983

"ARTY CHEFS, STYLE 2, CAROL BIDERMAN, SOHO WEEKLY NEWS, FEB.2, 1982

"ROBERT DELFORD BROWN AT THE PHYLLIS KIND GALLERY", REAGAN UPSHAW ART IN AMERICA 1982

"REVIEWS: NEW YORK," RICHARD FLOOD, ART FORUM, FEBRUARY 1982

"THE GROTESQUE IN PHOTOGRAPHY", edited by A D. COLEMAN, RIDGE PRESS, SUMMIT BOOKS, N.Y. 1979

"NEW GRAPHIC EDITIONS", DONNA STEIN, PRINT REVIEW, OCTOBER 1979

"ROBERT DELFORD BROWN: AN INTRODUCTION", LIGHT READINGS. A D. COLEMAN, OXFORD UNIVERSITY PRESS, 1979

"NATURE: TWELVE AMERICANS DONNA STEIN, IRAN SOCIETY, MAY 1978 BIBLIOGRAPHY CONT¹D.

"DELFORD BROWN¹S EXQUISITE PANIC, OUI MAGAZINE, FEB. 1977

"MY HEART BELONGS TO DADA", DEBRA CASTELLANA, CLUB QUEST MAGAZINE DEC. 1976

"NEW YORK¹S GUIDE TO WHERE IT¹S AT" HUDSON HOUSE ENTERPRISES, INC.NOV.1, 1975

"SUBJECTIVE IMAGERY", A D. COLEMAN, CAMERA 35, DEC. 1975

"GIVING HEAD", ED BRUCE DAVID, SCREW MAGAZINE, MAY 6, 1975

"COSMOPOLITAN GIRL", A NOVEL BY ROSALYN DREXLER, (Robert Delford Brown appears as a fictional character; Robert Delford Smith) M. EVANS & COMPANY, INC., N.Y. 1974

"STRANGEST ARTIST IN THE WORLD", DON CELENDER, OLYMPICS OF ART, 1974

"BOOK REVIEW IN BRIEF", NORMAN ROTHCHILD, POPULAR PHOTOGRAPHY JANUARY 1974

"CERAMICS AND WALL HANGINGS", PETER FRANK, SOHO WEEKLY DECEMBER 27, 1973

"PORTRAIT OF BOB DELFORD BROWN", LETTE LOU EISENHAUER, ART AND ARTISTS LONDON, JULY 1973

"ART-POLAROID PHOTOGRAPHY-60 SECONDS AND BEYOND", CENTERFOLD, VILLAGE VOICE, JUNE 28, 1973

"FOR MORE THAN JUST SNAPSHOTS", GENE THORTON, THE NEW YORK TIMES, SUNDAY, JUNE 28, 1973

"THE LAVENDER ART OF SADO MASOCHISM", BRUCE DAVID, SCREW MAGAZINE FEBRUARY 19, 1973

"BOOKS TO SEE", SUNDAY BULLETIN, section 5, PHILADELPHIA, PA.MARCH 25, 1973

"REVIEW", LAWRENCE CAMPBELL, ART NEWS, OCTOBER, 1972

"ROBERT DELFORD BROWN", LIL PICARD, INTERVIEW NOVEMBER, 1972

"HIS BOOK BECAME HIS BIBLE", A.D.COLEMAN, THE NEW YORK TIMES, SUNDAY, OCTOBER 22, 1972

"IN VIEW", ART AND ARTISTS, LONDON, JUNE 1972

"THE MAGIC OF RAW LIFE: NEW PHOTOGRAPHY"< DOUGLAS DAVIS, NEWSWEEK, APRIL 3, 1972

"REVIEWS AND PREVIEWS", ART NEWS, MARCH 1972

"IN THE GALLERIES", GORDON BROWN, ARTS, DECEMBER/JANUARY 1972

"SCENES", HOWARD SMITH, VILLAGE VOICE, NEW YORK, MARCH 1972

TWO SHOWS OFF THE BEATEN TRACK", A D. COLEMAN, THE NEW YORK TIMES,JANUARY 2, 1972

"NEO DADA IN CERISE HAIR", ERNEST LEOGRANDE,

THE NEW YORK DAILY NEWS, MARCH 1972

"REVIEWS AND PREVIEWS", ART NEWS, DECEMBER 1971

"SCENES", HOWARD SMITH, VILLAGE VOICE, OCTOBER 14, 1971

"ARTIST TURNS TO RUGS", DORIS E. BROWN, SUNDAY HOME NEWS, NEW BRUNSWICK, N.J., DECEMBER 13, 1970

"SCENES", HOWARD SMITH, VILLAGE VOICE, APRIL 25, 1968

"TRIED TO ENLIVEN PETTICOAT LANE", EAST LONDON ADVERTISER, AUGUST 19, 1966

"EVENT BY ROBERT DELFORD BROWN", I.C.A. BULLETIN, LONDON, ENGLAND, AUGUST/ SEPTEMBER 1966

"ANYTHING GOES FOR LEADER OF EXQUISITE PANIC CHURCH", DAILY MAIL, LONDON, AUGUST 1966

"MR. BROWN TURNS CERISE", SUNDAY TELEGRAPH, LONDON AUGUST 7, 1966

"LEADER OF EXQUISITE PANIC ENDS IN BLACK MARIA", MICHAEL CABLE, DAILY MAIL, LONDON, AUGUST 15, 1966 BIBLIOGRAPHY CONT¹D.

"SCENES", HOWARD SMITH, VILLAGE VOICE, NEW YORK, JUNE 9, 1966

"MALERI I RUM-N.Y.THEATER OCHS DANS", OYVIND FAHLSTROM, KONDTREVY #4-5, STOCKHOLM, 1965

"THE NEW SCHOOL OF NEW YORK", LIL PICARD, DAS KUNSTWERK, BADEN BADEN, DECEMBER 1964

"ART WORK FROZEN IN U.S.", SUN HERALD, SYDNEY, AUSTRALIA OCTOBER 25, 1966

"MEAT FOR ARTS SAKE", SUNDAY TELEGRAPH, LONDON, OCTOBER 25, 1964

¹~VIEW FROM THE ICE BOX COOLY RECEIVED", MARY PEROT NICHOLS, VILLAGE VOICE, NEW YORK, OCTOBER 29, 1964

"ART OR NOT IT¹S FOOD FOR THOUGHT", CALVIN THOMPKINS, LIFE MAGAZINE NEW YORK, NOVEMBER 20, 1964

ON DELFORD BROWN: "STOCKHAUSEN¹S ORIGINALE", HAROLD SCHONBERG NEW YORK TIMES, SEPTEMBER 9, 1964

"ON THE TOWN", CHARLES McHARRY, DAILY NEWS, OCTOBER 19, 1964

"AVANT GARDE", REVIEW AND PHOTOGRAPH OF PERFORMANCE IN STOCKHAUSEN¹S ORIGINALE, TIME MAGAZINE, SEPTEMBER 18, 1964

WHO¹S WHO IN THE WORLD, PUB. MARQUIS, 92-93

WHO¹S WHO IN AMERICA, PUB. MARQUIS, 92-93

WHO¹S WHO IN AMERICAN ART, PUB. R.R.BOWKER & COMPANY, 1992

INTERNATIONAL DIRECTORY OF THE ARTS, PUB.: ART ADDRESS VERLAG MULLER GMBH & COMPANY, 1990-91

CONTEMPORARY ARTISTS, PUB.: ST. MARKS PRESS, NEW YORK 1977, EDS. COLIN NAYLOR, G. PORRIDGE, ST. JAMES PRESS, LONDON

ARCHIV SOHM, STAATSGALERIE, STUTTGART, GERMANY

THE DENVER ART MUSEUM, DENVER, COLORADO

FRANKLIN FURNACE, NEW YORK, NY

THE CALOUSTE GULBENKIAN FOUNDATION, LISBON, PORTUGAL

FORMERLY THE JEAN BROWN ARCHIVES AT THE GETTY CENTER FOR THE HISTORY OF ART AND THE HUMANITIES, SANTA MONICA, CA.

THE MENIL COLLECTION, HOUSTON TEXAS THE MUSEUM OF MODERN ART, NEW YORK, NY

THE NATIONAL MUSEUM OF AMERICAN ART SMITHSONIAN INSTITUTION WASHINGTON, D.C.

THE MUSEUM OF MODERN ART, NYC, NY